Those who don't know how to weep with their whole heart don't know how to laugh either. - Golda Meir
Thursday, September 9, 2010
Friday, September 3, 2010
"Fine Like Buteeeeeeeeeerr"
All-effective remedy for one SwirlDancer:
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Heaps of sunshine.
Of course, ice-cream and crackers wouldn't hurt either.
Picture above shows poundcake and peach compote, yumm.
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There is an airy feeling, a lightness inside me. I've been writing loads, reading regretfully little, worrying occasionally and picking myself up - repeatedly.
With so many things on the agenda, the bright-eyed planner in me sometimes - but rarely - fears there may not be enough time to achieve them all. But it gives meaning and flavour to an otherwise plain existence as man.
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To be just man, without plans, without dreams, is unthinkable. And here lies the rub; a dreamer may be one who floats with her head in the clouds, a dreamer may also likely be the one who falls hardest when the bubble is burst from beneath her dreaming form; she hurtles through space, clutches at time, and lands on leaves of brittle stem in the glen below. Her homeland.
Yes, I have been disappointed time and time again, not just as man, but as dreamer. Despite the sidelong glances ever present from Risk, I don't suppose this part of me will change; bruises heal slow in this fragile flesh, but I am not afraid.
Trials ended for me yesterday, then it was straight out after dinner for some downtime with my VP. I'm so glad she waited for me; Step Up 3 came out a loong time ago in dance movie time!
We hurried from work, from home, and settled in place long before the lights were dimmed for 3D action - meaning I did not, contrary to usual practice, go in late for the movie. Eheh.
I'm still thinking about how, when I left the theatre, no words would come to my tongue to describe what I'd just seen. "Awesome" was too weak a word. This is a movie that lived up to expectations; stunning choreography throughout, sicK breaking; the first qualifying rounds I especially favoured for its raw, fierce energy.
In a word with best fit, it was DOPE.
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Legacy Perez, my muse for his inspirational brand of breaking.
No conventional ballet-meets-street-dance routines here; this was entirely off the hook with moves so fresh and gritty I could barely blink for fear of missing a step. Then there was the effortlessly lighthearted Broadway-styled number between Moose and Camille; it turned my mouthends up and even let loose an unsuppressed giggle or two. Charming to a fault. Tango too was used to great effect and managed to look classy instead of the usual borderline tacky.
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Accent move before movie's finale choreography
Another plus point was the storyline, which evidently had received more attention this time round - thank goodness. Instead of being a mundane vehicle to get us from danceclub to the showdown, this one made a brave attempt at portraying its male protagonist as something more than just a devoted dancer.
I should stop now. But not before saying, the whole sense of family in the movie... reminded me immensely of the peeps over at Subang! ^ ^
Drove over to Sunway Giza and chilled awhile more before parting, each with thoughts enough to keep her up for hours still. In Lienn I've found a fellow dreamer; one who made me realise I'm not victim to the brittle stems that await our kind when the rainbow gloss vanishes; one who showed me I'm stronger even than I think.
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